Have You Ever Loved A Woman Derek And The Dominoes Youtube

English–American dejection-rock band 1970–1971

Derek and the Dominos
L–R: Jim Gordon, Carl Radle, Bobby Whitlock, Eric Clapton
Background information
Origin	London, England
Genres	Blues rock
Years active	1970–1971
Labels	Polydor, Atco, RSO
By members	Eric Clapton Bobby Whitlock Carl Radle Jim Gordon Dave Mason Duane Allman

Derek and the Dominos was an English–American blues-rock ring formed in the jump of 1970 past guitarist and singer Eric Clapton, keyboardist and singer Bobby Whitlock, bassist Carl Radle and drummer Jim Gordon. All iv members had previously played together in Delaney & Bonnie and Friends, during and after Clapton'southward brief tenure with Blind Faith. Dave Bricklayer supplied additional lead guitar on early on studio sessions and played at their starting time live gig. Another participant at their first session as a band was George Harrison, the recording for whose album All Things Must Laissez passer marked the formation of Derek and the Dominos.

The band released only 1 studio album, Layla and Other Contrasted Love Songs, produced by Tom Dowd, which as well featured extensive contributions on lead and slide guitar from Duane Allman. A double anthology, Layla did not immediately relish stiff sales or receive widespread radio airplay, but went on to earn disquisitional acclaim. Although released in 1970 it was non until March 1972 that the album'south single "Layla" (a tale of unrequited love inspired past Clapton's infatuation with his friend George Harrison's wife, Pattie Boyd) fabricated the peak 10 in both the Usa and the United Kingdom. The album is often considered to be the defining accomplishment of Clapton's career.^[ane]

History [edit]

Background and formation [edit]

Derek and the Dominos came most through its four members' interest in the American soul revue Delaney & Bonnie and Friends.^[2] The group were anchored past the musical duo Delaney and Bonnie Bramlett with a rotating ensemble of supporting members. Delaney & Bonnie and Friends supported Blind Faith, Eric Clapton's short-lived supergroup with Stevie Winwood, on a US tour in the summer of 1969. While on that bout, Clapton was drawn to Delaney & Bonnie's relative anonymity, which he found more appealing than the excessive fan worship lavished on his ain band.^{[three] [4]}

Together with his beau hereafter Dominos – Bobby Whitlock (vocals, keyboards), Carl Radle (bass) and Jim Gordon (drums)^[2] – Clapton toured Europe and the United states again between November 1969 and March 1970, this fourth dimension as a member of Delaney & Bonnie and Friends.^[5] In add-on, the unabridged band backed him on his debut solo album, Eric Clapton,^{[six] [7]} recorded over the same flow.^[8] Disagreements over money led several members to go out Delaney & Bonnie and Friends.^[vii] Whitlock, recalling other difficulties with Delaney and Bonnie, noted the couple's frequent fights and described Delaney as a demanding band leader in the manner of James Brown.^{[9] [10]} Gordon, Radle and other Friends personnel, including drummer Jim Keltner, immediately joined Joe Cocker's Mad Dogs and Englishmen tour with Leon Russell, just Whitlock remained with Delaney and Bonnie for a short time.^[seven]

In April 1970, at the proposition of his friend and mentor Steve Cropper,^[11] Whitlock travelled to England to visit Clapton.^[12] Whitlock subsequently lived in Hurtwood Border, Clapton'due south house in Surrey, where the two musicians jammed and began to write the majority of the Dominos' catalogue on acoustic guitars.^[eight] Many of the new songs reflected Clapton's growing infatuation with Pattie Boyd,^{[13] [fourteen]} the wife of his all-time friend George Harrison,^{[8] [15]} who had joined Clapton equally a guitarist on Delaney & Bonnie'southward European tour in Dec 1969.^[sixteen]

I was in absolute awe of these people ... All we did was jam and jam and jam and nighttime would get day and mean solar day would become dark, and it simply felt good to me to stay that way. I had never felt so musically free before.^[17]

– Eric Clapton, on the band's rehearsals at Hurtwood Border

Presently after Whitlock's inflow, he and Clapton were eager to grade a new band^[18] and contacted Radle and Gordon in the United states of america. Although their beginning choice for a drummer was Keltner – like Radle and Russell, a native of Tulsa^[nineteen] – he was decorated recording with jazz guitarist Gábor Szabó.^{[vii] [18]} Gordon, however, had been invited to London to work on Harrison's post-Beatles solo album All Things Must Laissez passer.^[7] In May that year, Clapton, Whitlock, Radle and Gordon reunited in London at a session for P.P. Arnold,^[xx] before going on to serve as the backing ring on much of Harrison'south album.^[21] In a 1990 interview, Clapton said, "We made our bones, really, on that album with George", since the four musicians had "no game plan" other than living at Hurtwood Border, "getting stoned, and playing and semi-writing songs".^[22]

Clapton biographer Harry Shapiro comments on the unprecedented aspect of Clapton'due south bail with his new bandmates, in that from the Bullheaded Faith tour onwards, the guitarist "had been able to build a working relationship in a slow and natural fashion" for the first time. Among the friendships formed before the group officially came into existence, Shapiro continues, "the empathy ... outcropped nigh noticeably in Bobby Whitlock, in whom Eric establish an accomplished and sympathetic songwriting partner and redundancy singer."^[23] Clapton and Whitlock considered calculation the Delaney & Bonnie horn section to their new band, but this program was abandoned.^[24] Whitlock later explained the ethos of Derek and the Dominos: "we didn't desire any horns, we didn't want no chicks, nosotros wanted a rock 'n' scroll band. But my vocal concept was that we arroyo singing like Sam and Dave did: [Clapton] sings a line, I sing a line, we sing together."^[25]

Concert debut [edit]

Towards the end of the sessions for the basic tracks on All Things Must Pass,^[26] Dave Mason – another former guitarist with Delaney & Bonnie^[27] – joined the Dominos at Clapton'south dwelling.^[28] With the lineup expanded to a five-piece band, Derek and the Dominos gave their debut live functioning on fourteen June 1970.^[29] The consequence was a charity concert in aid of the Dr Spock Civil Liberties Legal Defence Fund, held at London'due south Lyceum Theatre.^[7]

The group had been billed equally "Eric Clapton and Friends", but a discussion ensued backstage simply before their advent, with Harrison^[thirty] and pianist Tony Ashton among those involved, in an effort to observe a proper band name.^[29] Clapton recalls that Ashton suggested "Del and the Dominos",^[31] having taken to calling the guitarist "Derek" or "Del" since the Delaney & Bonnie tour the previous twelvemonth.^[24] Whitlock maintains that "the Dynamics" was the name chosen and that Ashton, following his opening fix with Ashton, Gardner and Dyke, mispronounced it when introducing the band.^[7] Writing in 2013, Clapton and Whitlock biographer Marc Roberty quoted Jeff Dexter, the compere at the Lyceum show, who recalled that "Derek and the Dominos" had already been decided on before they went on stage. Co-ordinate to Dexter, Clapton was immediately taken with the name, but Whitlock, Radle and Gordon – all Americans – were concerned that they might be mistaken for a doo-wop act.^[24]

Everybody knew [about Clapton'due south infatuation with Pattie Boyd]. George didn't requite a shit – but Eric didn't know that.^[xx]

– Bobby Whitlock, on the obsession that collection Clapton's creativity in Derek and the Dominos

The reception afforded the band from critics and fans was mixed.^{[32] [33]} Together with the unfavourable reviews for Clapton'southward eponymous solo album, particularly in Britain, this reaction was reflective of a widespread reluctance to view Clapton as a singer and frontman, rather than as the virtuoso guitarist synonymous with his function in bands such as Cream and the Yardbirds.^[34] In his 2007 autobiography, Clapton wrote that his main recollection of the Lyceum testify was consulting New Orleans–born musician Dr. John, a cocky-styled practitioner of voodoo,^[35] and receiving a packet made of straw that would serve as a means of winning Boyd's amore.^[36]

Recording with Phil Spector [edit]

In return for the Dominos' assistance on All Things Must Pass, Clapton and Harrison had agreed that the latter's co-producer, Phil Spector, would produce a single for the new grouping.^{[22] [37]} On 18 June, the v band members, together with Harrison on guitar, took part in a session for the single at the Beatles' Apple Studio in primal London.^{[38] [39]} With Spector producing, two Clapton–Whitlock compositions were recorded that day^[twoscore] – "Tell the Truth" and "Roll It Over"^[41] – forth with two instrumental jams that would be included on the Apple Jam disc of Harrison's triple album.^[26]

Later this London session, Bricklayer departed from the lineup; he subsequently told Melody Maker that he was impatient to see the band start working total-time whereas Clapton was committed to helping Harrison complete All Things Must Laissez passer.^[42] Clapton and Whitlock then contributed to the overdubbing phase of Harrison'due south anthology, including calculation backing vocals with Harrison (as "the George O'Hara-Smith Singers") to tracks such equally "All Things Must Pass" and "Awaiting on You All".^[43] In addition, while continuing to rehearse at Hurtwood Edge,^[21] all 4 band members participated in London sessions for Dr. John'southward album The Sun, Moon & Herbs (1971).^[41]

UK summer bout [edit]

Early on in the summer of 1970, Clapton asked former Apple Records employee Chris O'Dell to find accommodation for Whitlock, Gordon and Radle in fundamental London, telling O'Dell that they were "going bonkers" out in the Surrey countryside.^[44] The band then moved into a two-storey flat at 33 Thurloe Place,^[45] close to South Kensington tube station.^[46] The flat also served every bit a coming together identify for Clapton and Boyd,^[47] who found herself flattered by Clapton'south attention in light of her married man's infidelities^[48] and his preoccupation with Eastern spirituality.^[49] In his autobiography, Clapton wrote that he was both inspired and "tormented" by his feelings for Boyd, which he channelled into his music, beginning with a UK bout by Derek and the Dominos.^[l]

For 3 weeks from 1 August,^{[21] [51]} the group performed in clubs and other small venues in U.k.,^[52] where Clapton chose to play anonymously, still weary from the fame that he felt had plagued Cream and Blind Faith.^[53] Access for the shows was set at £1, and clauses in the contract with each venue stipulated that Clapton's name was not to be used every bit a crowd-puller. Shapiro writes that the band had "made bully strides" since the Lyceum concert;^[21] their set listing included "Tell the Truth",^[54] covers of Baton Myles' "Have You lot Ever Loved a Adult female" and Jimi Hendrix's "Footling Wing", and songs such as "Bottle of Red Wine" and "Don't Know Why",^[vii] both from the Eric Clapton album.^[55] Clapton has said of this Uk tour, "no i knew who nosotros were, and I loved information technology. I loved the fact that we were this niggling quartet, playing in obscure places, sometimes to audiences of no more than than fifty or sixty people."^[50]

Layla sessions [edit]

The band flew to Miami, Florida, on 23 August 1970 to begin recording with Atlantic Records producer Tom Dowd.^[8] Until early September,^[4] sessions took place at Criteria Studios for what became the double album Layla and Other Assorted Love Songs.^[8] Most of the textile, particularly the track "Layla", was inspired past Clapton'due south unrequited love for Boyd.^{[13] [14]} After Clapton and Whitlock's initial experimentation with heroin while recording All Things Must Laissez passer,^[xx] the band's time in Miami was marked past all four members' excessive utilize of hard drugs.^[56] According to Clapton, "Nosotros were staying in this hotel on the beach, and whatever drug y'all wanted, you could get it at the newsstand. The girl would just accept your orders."^[48] The Thunderbird Motel, in current Sunny Isles Beach, Florida.^[57]

The first few days of the Layla sessions were unproductive.^{[48] [58]} On 26 August, Dowd, who was also producing the Allman Brothers Band'due south album Idlewild South, took the Dominos to an Allman Brothers concert, where Clapton, already a fan of the Nashville-born guitarist, outset heard Duane Allman play in person.^{[58] [59]} After Clapton invited the whole ring dorsum to Criteria that dark,^[60] he and Allman formed an instant bond that provided the catalyst for the Layla album.^{[61] [62]} Over ten recording dates,^{[48] [63]} Allman contributed to most of the tracks on the anthology,^[14] in between his commitments to the Allman Brothers Band. Only three songs – "I Looked Away", "Bell Lesser Blues" and "Keep on Growing" – were recorded without his participation. The band remade "Tell the Truth" during the sessions and subsequently attempted to accept the Spector-produced unmarried cancelled.^[64] In the United States, Atco Records released the original version of "Tell the Truth" backed with "Coil Information technology Over" in September, but before long withdrew the single.^[threescore]

Clapton has described Allman as "the musical brother that I never had, only wished I did".^[62] Allman's slide guitar playing elevated the album's dejection covers,^[14] which included "Nobody Knows You When You're Downwardly and Out" (by Jimmy Cox), "Have You lot Ever Loved a Woman" (the Billy Myles vocal, originally recorded by Freddie King) and "Central to the Highway" (Big Bill Broonzy).^{[59] [65]} Clapton invited him to go a member of Derek and the Dominos,^[fourteen] just Allman demurred, choosing to remain loyal to his own ring.^{[13] [62]} According to Whitlock, still, Allman was "a hired gun" and an "unnecessary" addition; Whitlock added, "He played with us twice, and it was non good both times he played, considering he was not a fluid player ... He could play parts, just he couldn't sing with his guitar."^[fifteen] The jams from Allman'due south showtime nighttime at Criteria with the Dominos were issued on the second CD of The Layla Sessions: 20th Anniversary Edition in 1990.^[66]

The album's all-time-known runway, "Layla", was compiled from recordings from two separate sessions. The main, guitar-oriented section was taped on 9 September, after the band had recorded their version of Hendrix'southward "Picayune Fly"; the closing section was added several weeks later, after Clapton had decided that the song lacked a suitable ending. The answer was an elegiac piano piece composed by Gordon (and an uncredited Rita Coolidge)^[7] and played past the drummer, with Whitlock providing a second piano function to embrace Gordon's relative inexperience on the instrument.^[48] During the Layla sessions, Gordon had been writing and playing songs for an intended solo album when, past gamble, Clapton showtime heard the pianoforte piece. According to Clapton'south recollection, in render for continuing to use the Dominos' studio time for his ain project, Gordon agreed to have the segment used as the ending for "Layla".^[13]

October–December 1970 alive shows [edit]

After the recording of Layla and Other Contrasted Love Songs, the four-piece Derek and the Dominos returned to the UK to go along touring there before heading dorsum to America to beginning the Usa tour on fifteen October. Allman performed two shows with the group nigh the end of the U.s. tour: at Curtis Hixon Hall, in Tampa, Florida, on ane December, and at the Onondaga County War Memorial in Syracuse, New York, the following night.^[67]

Whitlock recalled of their drug consumption during the tour: "We didn't have trivial $.25 of anything. In that location were no grams effectually, let's just put it similar that. Tom couldn't believe information technology, the way we had these large bags laying out everywhere. I'yard almost aback to tell it, just it'south the truth. It was scary, what we were doing, only we were but young and impaired and didn't know. Cocaine and heroin, that's all and Johnny Walker."^[68] Elton John, who opened for them, said that despite the reports of drugs and booze, "They were phenomenal. From the side of the stage, I took mental notes of their performance ... it was their keyboard player Bobby Whitlock that I watched like a hawk ... You watched and you learned, from people that had more experience than you."^[69] In 1973, a live double anthology, titled In Concert, was released, culled from the band's October 1970 shows at the Fillmore East in New York City. Six of the recordings from that album were digitally remastered, remixed and expanded with additional material from the same shows to become Live at the Fillmore, released in 1994.^[70]

Album release [edit]

Layla and Other Contrasted Love Songs was issued in November 1970. Co-ordinate to Shapiro, relative to the ring and Dowd's high expectations, information technology was a "disquisitional and commercial flop".^[71] Clapton similarly describes Layla as having "died a decease" on release.^[72] Although information technology received favourable reviews in Rolling Stone and The Village Voice, the anthology missed the peak ten in the United States and failed to nautical chart at all in the United Kingdom, until a reissue on CD resulted in a one-week stay at number 68 in 2011. It garnered little attention,^[73] partly every bit a result of a lack of promotion past Polydor, and partly due to the public's ignorance of Clapton'southward presence in the band.^[71] Dowd said that he "felt it was the best album I'd been involved with since The Genius of Ray Charles" and was disappointed at the lack of acclaim it initially received.^[73]

"Layla" was included on The History of Eric Clapton in 1972, and Atlantic issued the song as a unmarried in July that year.^[71] It became a hitting, reaching number 10 in America and number 7 in Britain.^[74] The success of the title rails in 1972 led to a reappraisal of Layla and Other Contrasted Dear Songs. It has since received widespread disquisitional acclamation and has been ranked among the best albums of all fourth dimension by VH1 (at number 89).^[75] and Rolling Stone (number 115).^[76] Layla is considered one of Clapton's most outstanding achievements.^[ane]

Johnny Cash Bear witness advent [edit]

The band appeared on The Johnny Cash Testify, in their only television appearance. Filmed at the Ryman Auditorium in Nashville, Tennessee, and circulate on 6 January 1971, the band performed "It'southward Also Tardily" and so joined Greenbacks and Carl Perkins to play Perkins' "Matchbox".^[77]

Tragedy and dissolution [edit]

Tragedy and misfortune dogged the grouping throughout and following its brief career. In September 1970, Clapton was devastated by the death of his friend and professional person rival Jimi Hendrix; having just recorded a version of "Little Wing" in Miami, the Dominos included the rails on Layla as a tribute to Hendrix. In October 1971, Duane Allman was killed in a motorcycle accident. Clapton later on wrote in his autobiography that he and Allman had been inseparable during the sessions at Criteria.^[78] In addition, Clapton took the lukewarm disquisitional and commercial reception to Layla personally, which accelerated his spiral into drug addiction and low.^[79] In 1985 when talking almost the band, Clapton said:

Nosotros were a make-believe band. We were all hiding inside it. Derek and the Dominos – the whole thing. Then it couldn't last. I had to come out and admit that I was existence me. I mean, beingness Derek was a cover for the fact that I was trying to steal someone else'southward wife. That was 1 of the reasons for doing information technology, so that I could write the song, and even use another name for Pattie. And so Derek and Layla – information technology wasn't real at all.^[80]

In February 1971, Radle and Gordon participated in sessions, produced by Spector and Harrison, for a planned solo album past Ronnie Spector.^[81] Later that yr, the Dominos disbanded acrimoniously in London, just before they could complete their second LP. In a subsequent interview with music critic Robert Palmer, Clapton said the second anthology "bankrupt down halfway through because of the paranoia and tension. And the band just dissolved."^[73] After the dissolution, Clapton turned away from touring and recording to nurse an intense heroin addiction.^{[82] [83]} This three-twelvemonth career hiatus was interrupted only past his participation in Harrison's Concert for Bangladesh shows in August 1971, along with a large bandage of musicians, including Leon Russell, Keltner and Radle;^[84] a guest advent at Russell'due south December 1971 prove at London's Rainbow Theatre;^[85] and his own Rainbow Concert, in January 1973. The latter event was organised past Pete Townshend of the Who to aid Clapton boot his drug habit and build momentum for his return.^{[86] [87]} Whitlock signed with the United states record label ABC-Dunhill, for which he recorded the albums Bobby Whitlock and Raw Velvet. Both albums were released in 1972 and included contributions from all the Dominos (recorded in early on 1971), along with Harrison, the Bramletts, Keltner, and the onetime Delaney & Bonnie horn section.

Following Clapton'due south return as a solo artist in 1974, he and Radle worked together until 1979, when Clapton abruptly dismissed him from his band. Radle died in June 1980 of complications from a kidney infection^[88] associated with booze and drug employ.^[89] Whitlock and Clapton did not piece of work together over again until 2000, when they performed on Jools Holland's BBC prove Later... with Jools Holland. In 1983, Gordon, an undiagnosed schizophrenic at the time, killed his mother with a hammer during a psychotic episode. He was confined to a mental institution in 1984,^[90] where he remains today.^[91] Recordings from the 1971 sessions for the band'southward cancelled second album were included on Clapton's four-CD/cassette box gear up Crossroads, released in 1988.^[73]

Band members [edit]

Official line-up

• Eric Clapton – vocals, guitars (1970–1971)
• Bobby Whitlock – keyboards, vocals (1970–1971)
• Carl Radle – bass guitar (1970–1971)
• Jim Gordon – drums, percussion (1970–1971)

Occasional members

• Dave Stonemason – guitar (1970)
• Duane Allman – guitar (1970)

Discography [edit]

Pre-anthology single

• "Tell The Truth" / "Roll It Over" (September 1970)

Recorded during the sessions for George Harrison's 1970 triple album All Things Must Laissez passer; produced by Phil Spector but pulled by Clapton, stating it didn't reflect their audio. "Tell the Truth" was later re-recorded for the band'southward debut anthology, but "Roll It Over" was only performed live. Harrison and Dave Mason contributed guitar to "Curl It Over".^[39] Both tracks were included on the 2011 reissue of Layla.

Singles

• "Bell Bottom Dejection" / "Go along on Growing" (1971) ''Billboard'' Hot 100 # 91^[92]
• "Layla" / "I Am Yours" (1971) Billboard Hot 100 # 51^[92]
• "Layla" / "Bong Lesser Blues" (1972) Billboard Hot 100 # 10^[92]
• "Why Does Beloved Got to Be So Pitiful?" / "Presence of the Lord" (1973) Bubbling Under Hot 100 # 120^[92]

Layla and Other Contrasted Love Songs

• Debut anthology Layla and Other Assorted Love Songs recorded during September 1970, released on ix Nov. Billboard 200 # xvi ^[93]
• In 1990 a new mix was released as The Layla Sessions: 20th Anniversary Edition with unreleased tracks and jams. Billboard 200 # 157^[93]
• The original version was reissued in 2011 as the 40th Anniversary Edition with other unreleased tracks.
• several other reissues

Other songs recorded during Layla sessions

• Tell the truth Jam (released on "The History of Eric Clapton" in 1972)
• "Got to Get Better in a Little While" (wasn't completed but was played live. The incomplete version with just Clapton'southward verse vocals was released on Clapton's Crossroads box fix, credited as a '71 Olympic Studios rail. The 40th deluxe edition of Layla features a version with chorus vocals performed by Whitlock in 2010 mixed into the original take.)
• "Mean Former World" (T-Bone Walker cover, released on Crossroads, The Layla Sessions and the 40th deluxe edition).
• "(When Things Go Incorrect) Information technology Hurts Me As well" and "Tender Dear" (Curt jams officially released on The Layla Sessions).
• various untitled jams (v were released on The Layla Sessions).

Live recordings

• In Concert (1973), Billboard 200 # 20,^[93] and Alive at the Fillmore (1994)

Alive recordings of the concerts at the Fillmore East on 23 and 24 October 1970 were released on those two live albums (some of the recordings are present on both albums).

• live at the Johnny Cash Show^[94] on vi January 1971.

1. "Information technology's Too Late"
2. "Got to Become Amend in a Little While"
3. "Matchbox" (Carl Perkins cover played with Cash and Perkins)
4. "Blues Ability"

The ring's functioning aired on 5 November 1970. This is the only known video performance of the band. It was officially released as part of the 40th ceremony edition of their debut anthology.

Sessions for the second album, Olympic Studios, April and May 1971
All available in bootlegs.^[95] Some were officially released on the Crossroads box set and the Layla album's 40th anniversary deluxe edition.

• "Gold Devils Roads" (recorded at Clapton'southward home in March, features vocals by Gordon'south wife, Renée Armand)
• "One More than Chance" (officially released)
• "Mean Old Frisco" (officially released)
• "High" (instrumental officially released on the Clapton "12 Confined" documentary soundtrack)
• "Snake Lake Dejection" (officially released)
• "Evil" (Willie Dixon cover, officially released)
• "Son of Apache"
• "Moody Jam"
• "Chocolate"
• "I've Been All Day"
• "Got to Get Better in a Lilliputian While" (new jam version, officially released)
• "Sick at Eye"
• "Is My Honey"
• "Information technology's Hard to Find A Friend", "Volition I Meet You Again" and "Yes, I Honey You lot" (Jim Gordon original songs)

Citations [edit]

1. ^ ^{a b} "Derek and the Dominos – Layla and Other Contrasted Dearest Songs". Superseventies.com . Retrieved 23 August 2021.
2. ^ ^{a b} Ruhlmann, William. "Derek and the Dominos". AllMusic. Retrieved 28 Oct 2014.
3. ^ The New Rolling Rock Encyclopedia of Rock & Roll, pp. 88, 183, 254.
4. ^ ^{a b} Santoro, p. 62.
5. ^ Whitlock, pp. 52, threescore.
6. ^ Reid, pp. xiii, 29.
7. ^ ^{a b c d east f g h i} Shapiro, Harry (January 2001). "The Prince of Dearest ... Or How the Recording of 'Layla', Clapton'southward Ode to Forbidden Love, Made Victims of Derek and the Dominos". Mojo. Available at Rock's Backpages (subscription required).
8. ^ ^{a b c d e} Sutcliffe, Phil (May 2011). "Derek and the Dominos: The Story of Layla". Mojo. Available at Stone'due south Backpages (subscription required).
9. ^ The Layla Sessions liner notes, page v.
10. ^ Santoro, p. 63.
11. ^ Whitlock, p. 65.
12. ^ Harris, p. 70.
13. ^ ^{a b c d} Williamson, Nigel (October 2006). "The Making of ... Derek and the Dominos' Layla". Uncut. Archived from the original on 14 August 2017. Retrieved 30 October 2014.
14. ^ ^{a b c d e} Murray, Noel (vi April 2011). "Derek and the Dominos: When God walked among us". The A.V. Guild . Retrieved 30 Oct 2014.
15. ^ ^{a b} Evans, Rush (nineteen Apr 2011). "Layla turns 40". Goldmine . Retrieved four August 2015.
16. ^ Clayson, pp. 275, 277–79.
17. ^ Clapton, p. 130.
18. ^ ^{a b} Whitlock, p. 73.
19. ^ Reid, pp. 42, 47.
20. ^ ^{a b c} Harris, p. 72.
21. ^ ^{a b c d} Shapiro, p. 116.
22. ^ ^{a b} White, Timothy (March 1990). "Rollin' & Tumblin'". Spin. p. 36.
23. ^ Shapiro, p. 118.
24. ^ ^{a b c} DeRiso, Nick (16 June 2013). "Books: Eric Clapton, Day by Day: The Early Years, 1963–1982, by Marc Roberty (2013)". Something New! . Retrieved 4 November 2014.
25. ^ Santoro, p. 64.
26. ^ ^{a b} Whitlock, p. 82.
27. ^ Reid, p. 47.
28. ^ Shapiro, pp. 115, 116.
29. ^ ^{a b} Shapiro, p. 115.
30. ^ Clayson, p. 290.
31. ^ Clapton, p. 133.
32. ^ Reid, pp. 104–05.
33. ^ Shapiro, pp. 115–16.
34. ^ Sandford, pp. 112, 114, 116.
35. ^ The New Rolling Rock Encyclopedia of Rock & Whorl, p. 276.
36. ^ Clapton, pp. 133–34.
37. ^ Reid, pp. 92–93, 105.
38. ^ Madinger & Easter, p. 427.
39. ^ ^{a b} Reid, pp. 104, 105.
40. ^ Clapton, p. 132.
41. ^ ^{a b} Reid, p. 105.
42. ^ Clayson, pp. 289, 478.
43. ^ Whitlock, p. 81.
44. ^ O'Dell, p. 170.
45. ^ Whitlock, p. 98.
46. ^ O'Dell, pp. 170–71.
47. ^ O'Dell, p. 172.
48. ^ ^{a b c d e} Black, Johnny (Jan 2006). "Derek and the Dominos: 'Layla'". Blender. Available at Rock's Backpages (subscription required).
49. ^ Boyd, pp. 119–xx, 135, 138.
50. ^ ^{a b} Clapton, p. 135.
51. ^ "Clapton Hits the Road". Tune Maker. 18 July 1970. p. 3.
52. ^ Reid, p. 107.
53. ^ The Layla Sessions liner notes, page 4.
54. ^ Sandford, p. 116.
55. ^ Erlewine, Stephen Thomas. "Eric Clapton Eric Clapton". AllMusic. Retrieved 31 Oct 2014.
56. ^ Shapiro, p. 120.
57. ^ Eric Clapton: A Life in 12 Bars (2017)
58. ^ ^{a b} Santoro, p. 66.
59. ^ ^{a b} The Layla Sessions liner notes, page 6.
60. ^ ^{a b} Reid, p. 123.
61. ^ Santoro, pp. 66–67.
62. ^ ^{a b c} Clapton, p. 136.
63. ^ Williamson, Nigel (November 2004). "Album Review: Derek and the Dominos – Layla & Other Assorted ..." Uncut. Archived from the original on seven November 2014. Retrieved half dozen November 2014.
64. ^ Sandford, p. 117.
65. ^ Santoro, pp. 67–68.
66. ^ "The Layla Sessions". uDiscover Music . Retrieved 18 August 2018.
67. ^ Sean Kirst. "Music legends from Aerosmith to ZZ Top fabricated our War Memorial the place to exist". Syracuse.com . Retrieved 27 February 2012.
68. ^ The Layla Sessions liner notes, folio 12.
69. ^ John, Elton (2019). Me: Elton John the Official Autobiography. Pan Macmillan. p. 86. ISBN978-one-50-985331-1.
70. ^ Ruhlmann, William. Album review at AllMusic. Retrieved 17 August 2018.
71. ^ ^{a b c} Shapiro, p. 123.
72. ^ Clapton, pp. 136–37.
73. ^ ^{a b c d} Santoro, p. 69.
74. ^ Sandford, p. 119.
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Full general sources [edit]

• Boyd, Pattie; with Junor, Penny (2007). Wonderful Today: The Autobiography. London: Headline Review. ISBN 978-0-7553-1646-5.
• Clapton, Eric; with Sykes, Christopher Simon (2007). Eric Clapton: The Autobiography. London: Century. ISBN 978-ane-8460-5309-2.
• Clayson, Alan (2003). George Harrison. London: Sanctuary. ISBNane-86074-489-3.
• Harris, John (July 2001). "A Quiet Storm". Mojo. pp. 66–74.
• Madinger, Chip; Easter, Mark (2000). Eight Arms to Agree Yous: The Solo Beatles Compendium. Chesterfield, MO: 44.one Productions. ISBN0-615-11724-4.
• The New Rolling Stone Encyclopedia of Stone & Roll (1995). New York: Fireside/Rolling Stone Press. ISBN 0-684-81044-1.
• O'Dell, Chris; with Ketcham, Katherine (2009). Miss O'Dell: My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, Eric Clapton, and the Women They Loved. New York: Touchstone. ISBN 978-1-4165-9093-iv.
• Reid, Jan (2006). Layla and Other Assorted Dearest Songs by Derek and the Dominos. New York: Rodale. ISBN978-1-59486-369-1.
• Sandford, Christopher (1999). Clapton: Edge of Darkness. New York: Da Capo Press. ISBN0-306-80897-8.
• Santoro, Factor (1995). Dancing in Your Caput: Jazz, Blues, Rock, and Beyond. New York: Oxford University Press. ISBN0-xix-510123-5.
• Schumacher, Michael (1995). Crossroads: The Life and Music of Eric Clapton. New York: Hyperion. ISBN0-7868-6074-Ten.
• Shapiro, Harry (1992). Eric Clapton: Lost in the Blues. New York: Da Capo Press. ISBN0-306-80480-eight.
• Whitlock, Bobby; with Roberty, Marc (2010). Bobby Whitlock: A Rock 'n' Roll Autobiography. Jefferson, NC: McFarland. ISBN 978-0-7864-6190-5.

External links [edit]

• The Simply Televised Functioning of Derek and the Dominos
• VH1.com: Derek & the Dominos: Biography
• Derek & the Dominos at AllMusic

Source: https://en.wikipedia.org/wiki/Derek_and_the_Dominos

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